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The artist applies and carefully wipes away glazes to create the rich character of a found object from years past
with hand made floral millefiori and swirls of iridescent colored glass
End-grain ash was used as the material for this piece
and a cloud-like
flush-mount ceramic wall sconce throws soft
Nihonga P08704-P00084 The artist applies and carefullyThis painting was made using traditional Japanese mineral pigment painting methods, a labor intensive process that involves creating water based paints, binders, and glue using natural materials. Jeanne LaCasse utilized earth and ochre pigments, ground oyster shells, cochineal, and oxidized Japanese silver leaf, all applied to high quality paper and adhered to a dark brown matt board. The painting is mounted on an archival matt board to ensure the
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